Showing posts with label Kate Atkinson. Show all posts
Showing posts with label Kate Atkinson. Show all posts

Wednesday, 27 July 2011

Behind the Scenes at The Museum




As most of you who ‘read’ my ramblings here already know, Kate Atkinson is my favourite contemporary English novelist. From the moment I started reading the first pages of one of her books, I felt she had something profound to say about life and people’s views. I read Behind The Scenes At The Museum a few years ago but I decided to read it again in the last couple of weeks, as I thought that now after a few more years spent in this beautiful city of York, I could get a deeper meaning of the story. And I was right as I have enjoyed this second time more than the first. In this novel, Kate Atkinson has created one of the most original first person narrators of recent years. Her character, Ruby Lennox, is at once witty, fragile, sad, and sassy. Ruby's sharp eye for detail, and the way in which she brings alive the interior and exterior fabric of her life through her voice, engages us with its immediacy.


The novel begins with Ruby's conception in 1951, charts her exit from the warmth and safety of her mother's body, and her arrival into a very strange and alienating world. Her family is eccentric but engaging, living above the pet shop in York that they own and run. Her parents, Bunty and George, are well meaning, but have cracks in their psyches that play themselves out through interactions with their children. Ruby is not an only child: her older sisters Patricia and Gillian are her constant companions, as bizarre as their parents. The novel takes us through the early part of Ruby's life, constructing a magical world where the strangest events seem inevitable and manageable. Increasingly Ruby becomes aware that there is something about her family that she is not being told and, in a brilliantly realized moment of revelation, Kate Atkinson allows Ruby to discover what that secret is, then we watch her come to terms with it.


The past is a strong presence here. Kate Atkinson tells much of the quirky family history through separate chapters called "Footnotes", which take us back to pre-Ruby days, and they do much to explain why her family is as it is, and why Ruby develops as she does.


This novel is never predictable, constantly delighting by the way that Ruby's world-weary sardonic view of adults is wittily expressed. The independence of the voice here is powerful and new. Kate has found a way to express the young Ruby's viewpoint without sacrificing the older Ruby's knowledge. This achievement means that even within the grimmest passages of the novel there lurks a longing for the past, and an irrepressible need to find the humor and humanity in every situation. In the narrative, for example, Ruby's parents let her down in many ways, but they are never less than loved, and the older Ruby never lets us forget that fact.


The vigor and passion of this book comes from the language and the forcefulness of its life-affirming voice. At no time do we think that Ruby's life is easy, yet her resilience and refusal to be miserable carries us on with her. The novel begins with Ruby declaring "I exist!" and ends with the words "I am Ruby Lennox." The pages in between the two statements justify the second completely. By the time we reach it, we know exactly who Ruby Lennox is, and we feel reluctant to leave her. This is a mark of Kate Atkinson's success: she has made us love her character.


Tuesday, 15 February 2011

Started Early, Took My Dog


Another fabulous read by Kate Atkinson, my favourite contemporary English writer, featuring the main character Jackson Brodie again, who has been the thread running through the previous three 'crime' type novels by this writer. If you haven't read Kate Atkinson's other Jackson Brody novels yet (Case Histories, One Good Turn, When Will There Be Good News) read those first because it would be a shame for you not to understand the whole story (although it's not absolutely necessary in order to enjoy this one).

Jackson Brodie is a former soldier and veteran of three failed relationships, now a part-time private eye and on the hunt, in his own singular way, to try and discover a woman's origins, and how she came to grow up with a family in New Zealand instead of England. Cue an intricate plot that weaves past with present in the lives of some of the characters. The events surrounding the three main characters, Jackson himself, Tracy Waterhouse, a former policewoman who is now the head of security in a Leeds shopping centre, and Tilly, an aging actress, are gradually and cleverly brought together as the novel heads towards the revelation at the end. I loved that this novel has lots of Yorkshire settings which added to the interest for me, as I live in this area.
A rather complicated book to follow at times, with leaps backwards and forwards in time, and between a large number of character viewpoints and opinions, but this depth/spread of insights on the events does definitely add to the effectiveness and intrigue in the novel. A great book from a witty writer at the top of her game, with great characters.

The more I read of Atkinson's work and in particular this series, the more of a genius I think she is. Not only do you have a mystery or two in the book to work out, you have this overall mystery of just how on earth everything interlinks and with `Started Early, Took The Dog' she draws out the process by introducing each character and bringing their circumstances and personalities to the fore. No one dimensional characters here, not even if they are merely in the book for a page or two. All the main characters are marvellous, readable and real. In doing so she also gets to voice her thoughts on both issues from the past (in this case the serial killings in the seventies which gripped the nation and left many women in fear) and in the present (the state of society, prostitution, child welfare, the recession, dementia) through their back stories which makes it even a fuller read.